People and places PhotographY Archive
Regularly updated archive of photographs I've taken over the years.
All photographs © Gregory B. Lee
All photographs © Gregory B. Lee
LOOKING AT THE FOREIGNER – slideshow – 看老外
When I was first in China in the late 1970s and early 1980s, there were several places I visited where I was often one of the first foreigners local people had ever seen. That was especially true of the younger generation and of places that had just been "opened up" after the 1966-76 Cultural Revolution So, while my camera was focussed on a person or person it was more often than not their gaze that came first, and mine a return of their gaze. They were merely engaged in the pastime of "looking at the old foreigner" or kan laowai 看老外.
stilt-walkers at a spRing festval temple fair - beijing 1987
Stilt-walking, or 踩高蹺 cǎi gāo qiāo in Chinese, a long-standing folk entertainment stretching back at least two thousand years, had all but vanished during the Mao era.
I took these photographs of stilt-walkers some four decades ago in the fading light of a late January day is south Beijing at a "temple fair" or 廟會 miàohuì. Although the fair was no longer attached to a temple the name for this customary social and commercial gathering had stuck. Temple fairs took place during the period leading up to the Spring Festival, also known now as Chinese New Year, which in 1987 fell on 29 January. There were stalls selling food and lanterns and toys along the street. It was a very grey day in the depth of the Beijing winter, and I was about to pack up my camera and go home when I happened upon these stilt-walkers performing down a side street. They were advertising a show that was to take place later on. Although the light was bad, the vibrant colours stood out in the sombre winter's day. I was compelled to capture the moment.
Here the performers are dressed as characters from the The Journey to the West or Xīyóujì 西遊記, a fiction credited to Wu Cheng’en 吴承恩 (1501-1582). The work is also translated as Monkey. It recounts the legendary pilgrimage of Tang Buddhist monk Xuanzang 玄奘 who travels to the West (the West being Central Asia and India) to obtain Buddhist sutras. He was accompanied by three disciples Sun Wukong 孫悟空 or Monkey King, Zhu Bajie 豬八戒 or Pigsy/Pig (the idiot), and Sha Wujing 沙悟淨 or Sandy, who are all portrayed in this stilt-walking performance.
I took these photographs of stilt-walkers some four decades ago in the fading light of a late January day is south Beijing at a "temple fair" or 廟會 miàohuì. Although the fair was no longer attached to a temple the name for this customary social and commercial gathering had stuck. Temple fairs took place during the period leading up to the Spring Festival, also known now as Chinese New Year, which in 1987 fell on 29 January. There were stalls selling food and lanterns and toys along the street. It was a very grey day in the depth of the Beijing winter, and I was about to pack up my camera and go home when I happened upon these stilt-walkers performing down a side street. They were advertising a show that was to take place later on. Although the light was bad, the vibrant colours stood out in the sombre winter's day. I was compelled to capture the moment.
Here the performers are dressed as characters from the The Journey to the West or Xīyóujì 西遊記, a fiction credited to Wu Cheng’en 吴承恩 (1501-1582). The work is also translated as Monkey. It recounts the legendary pilgrimage of Tang Buddhist monk Xuanzang 玄奘 who travels to the West (the West being Central Asia and India) to obtain Buddhist sutras. He was accompanied by three disciples Sun Wukong 孫悟空 or Monkey King, Zhu Bajie 豬八戒 or Pigsy/Pig (the idiot), and Sha Wujing 沙悟淨 or Sandy, who are all portrayed in this stilt-walking performance.
buddhist CAVE ART
series 2 – the longmen grottoes STATUARY
luoyanG, henan, China 1981
slideshow
Like the images in Buddhist Caves Series 1 (see below) these photographs of the Longmen grottoes were taken some 45 years ago when Longmen had just been declared visitable.
The Longmen Grottoes were initiated around the year 493 when the capital of the Northern Wei state was reloacted to Luoyang. Construction continued for more than four centuries, until the Northern Song (960 - 1127). Most surviving works date from the Northern Wei and the the Tang (618 - 907).
Much closer to China's heartland and more accessible than the Dunhuang Mogao caves, by 1981 the Longmen site had already become popular with domestic tourists, who in this early post-Mao moment were more interested in clambering over the giant statues that paying their respects to the Buddha.
The Longmen Grottoes were initiated around the year 493 when the capital of the Northern Wei state was reloacted to Luoyang. Construction continued for more than four centuries, until the Northern Song (960 - 1127). Most surviving works date from the Northern Wei and the the Tang (618 - 907).
Much closer to China's heartland and more accessible than the Dunhuang Mogao caves, by 1981 the Longmen site had already become popular with domestic tourists, who in this early post-Mao moment were more interested in clambering over the giant statues that paying their respects to the Buddha.
china 1980: DAY-TRIPPERS AND TOURISTS
slideshow
These photographs taken during 1980 in China. Domestic tourism was in its infancy; most had to be content with day trips, often organized by the 'work unit' or 'danwei' 單位. However, there were already the beginnings of a burgeoning middle class (peopled by the children of government functionaries) with their own distinctive pattern of consumption, especially in terms of fashion. However, the profile of the domestic tourist would change dramatically over the succeeding decade with enriched peasants becoming the main consumers of China tourism.
buddhist CAVE ART
series 1 – the mogao caves
dunhuang, Gansu, north-eastern China 1981
slideshow
These photographs were taken some 45 years ago when the Mogao caves had just become accessible again after the Cultural Revolution (1966-76) and at a time when the site had not yet been museumified. Some of the paintings and sculptures shown here are from well-known caves, others I have not seen reproduced elsewhere.
The Buddhas hand gestures are known as mudras. In image showing a painting in cave 423, the Buddha displays two complementary mudras, the Abhaya Mudra with left hand raised to chest level, palm facing outward and fingers pointing upwards symbolizes the dispelling of fear, and the assurance of peace and protection.The Varada Mudra with right hand lowered, pointing downwards with palm open signifies charity and compassion.
Note: If you spot anything in the labelling that could be modified, please get in touch. I'll supply further series of images from Dunhuang in future.
The Buddhas hand gestures are known as mudras. In image showing a painting in cave 423, the Buddha displays two complementary mudras, the Abhaya Mudra with left hand raised to chest level, palm facing outward and fingers pointing upwards symbolizes the dispelling of fear, and the assurance of peace and protection.The Varada Mudra with right hand lowered, pointing downwards with palm open signifies charity and compassion.
Note: If you spot anything in the labelling that could be modified, please get in touch. I'll supply further series of images from Dunhuang in future.
post-mao china
1979-1983
slideshow
ON THE STREETS IN NICE
2026
SLIDESHOW
a village in the luberon on a winter's eve
2026
slideshow
The photographs were taken in February of this year. During the Second World War, the unassuming village of Céreste became the headquarters of the region's maquis or resistance led by the poet René Char (1907-1988), otherwise known as Capitaine Alexandre.It was in these streets that the members of his network resided.
SUNRISE,SUNSET AND SEA
(1978-2024)
SLIDESHOW
FAMILY PHOTOGRAPHS - THE WOMEN
From the age of seven, when my grandfather died, I was brought up solely by women. My grandmother, my mother, my great aunt, my aunts all formed a significant presence in my life. Apart from their presence, their stories, their tribulations, their outlook on life all counted in my childhood and adolescent socialization. Here are some photographs of them at various stages in their lives.
LEE in China, Taiwan, HONGKONG 1978-1996
SLIDESHOW
'White stupa before renovation ' A building site near Peking University, Haidian.海淀區白塔庵塔 December 1982. Religious-type monuments and structures such as these had been left to crumble during the Cultural Revolution (1966-1976). It's now a paying monument open 09.00-16.30 https://www.haidianmuseum.com/p-824.html
Sichuan, where Party Secretary Zhao Ziyang implemented market-oriented reforms and put the economy on a firm footing, saw the dismantling of numerous statues of Mao Zedong in the early 1980s. Here, beneath this surviving statue in front of a building site is a Deng Xiaoping-era banner encouraging socialist modernization, in other words economic reforms.
In 2006, I started some sideline research on the naming of restaurants in the Chinese diaspora which often show a discordance between their name in the European language and their name in Chinese.
A few years ago, a former Peking University chemistry student wrote to me to say that it had been his task to regularly freshen up the paint on this wall, and that what we see here is his handiwork. He later left to study in the USA. The wall was demolished along with other revolutionary monuments around campus.
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